aokigahara

by aokigahara

supported by
Vault Dweller
Vault Dweller thumbnail
Vault Dweller Really loved this EP; the ambience/atmosphere are powerful. Not as 'heavy' as what I'd typically listen to, but that's exactly what drew me to this. Favorite track: Collapse.
flightoficarus (Metal Trenches)
flightoficarus (Metal Trenches) thumbnail
flightoficarus (Metal Trenches) Warforged meets Fall of Troy and The Mars Volta. Listen to that guitar! If you like a little jazz and a lot of technical chops in your metal, this is one for you. Works both with vocals and as instrumental. Full review on MetalTrenches.com: metaltrenches.com/reviews/not-even-going-to-tr-179 Favorite track: The Loneliness Engine.
/
  • Streaming + Download

    Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.

      name your price

     

1.
03:25
2.
3.
4.
05:03
5.
05:38

about

negativity and somnolence

- recorded in 2015
- music by aokigahara / copyright 2015 aokigahara
- mixed by keegan bonabian (soundbutt.com/kbonabian/)
- mastered by acle kahney (www.4dsounds.com)
- artwork #3 and #7 of "a forest tale" by gabriel isak (www.gabrielisak.com)

aokigahara is: christian mccoy, dylan hammond, tony aguilar, eddie yervinyan

credits

released August 21, 2015

music written by aokigahara

tags

license

all rights reserved

about

aokigahara Las Vegas, Nevada

dark psychedelia

contact / help

Contact aokigahara

Streaming and
Download help

Track Name: All Lone
"First, let praise and worship and honour and glory and great thank be given unto the Holy One, who hath permitted us to come thus far, who hath revealed unto us the ineffable mysteries, that they might be disclosed before men. And we humbly beseech His infinite goodness that he will be pleased to manifest unto us even the Mystery of the First Aethyr.

(Here followeth the Call of the Aethyr.)

The veil of the Aethyr is like the veil of night, dark azure, full of countless stars. And because the veil is infinite, at first one seeth not the winged globe of the sun that burneth in the centre thereof. Profound peace filleth me, — beyond ecstasy, beyond thought, beyond being itself, IAIDA. (This word means "I am", but in a sense entirely beyond being.)

(Note. — In Hebrew letters it adds to 26. In Hebrew letters the name of the Aethyr is 70, ayin; but by turning the Yetziratic attributions of the letters into Hebrew, it gives 663, is the sum of the numbers from 0 to 11.)

Yes; there is peace. There is no tendency of any sort, much less any observation or feeling or impression. There is only a faint consciousness, like the scent of jasmine.

The body of the Seer is rested in a waking sleep that is deeper than sleep, and his mind is still; he seems like a well in the desert, shaded by windless palms.

And it is night; and because the night is the whole night of space, and not the partial night of earth, there is no thought of dawn. For the light of the Sun maketh illusion, blinding man's eyes to the glory of the stars. And unless he be in the shadow of the earth, he cannot see the stars. So, also, unless he be hidden from the light of life, he cannot behold Nuit. Here, then, do I abide in unalterable midnight, utterly at peace.

I have forgotten where I am, and who I am. I am hanging in nothing.

Now the veil opens of itself. (To Scribe. Come nearer; I don't want to have to speak so loudly.)

It is a little child covered with lilies and roses. He is supported by countless myriads of Archangels. The Archangels are all the same colourless brilliance, and every one of them is blind. Below the Archangels again are many, many other legions, and so on far below, so far that the eye cannot pierce. And on his forehead, and on his heart, and in his hand, is the secret sigil of the Beast. And of all this the glory is so great that all the spiritual senses fail, and their reflections in the body fail.

It is very strange. In my heart is rapture, holy and ineffable, absolutely beyond emotion; beyond even that bliss called Ananda, infinitely calm and pure. Yet at the gates of mine eyes stand tears, like warriors upon the watch, that lean on their spears, listening.

The great and terrible Angel keeps on looking at me, as if to bar me from the vision. There is another forcing my head down in sleep.

(It's very difficult to talk at all, because an impression takes such an immense time to travel from the will to the muscles. Naturally, I've no idea of time.)

I have gone up again to the child, led by two Angels, abasing my head.

This child seems to be the child that one attempted to describe in "The Garden of Janus".

Every volition is inhibited. I have tried to say a lot, but it has always got lost on the way.

Holy art thou, O more beautiful than all the stars of the Night!

There has never been such peace, such silence. But these are positive things. Singing praises of things eternal amid the flames of first glory, and every note of every song is a fresh flower in the garland of peace.

This child danceth not, but it is because he is the soul of the two dances, — the right hand and the left hand, and in him they are one dance, the dance without motion.

There is dew on all the fire. Every drop is the quintessence of the ecstasy of stars.

Yet a third time am I led to him, prostrating myself seven times at every step. There is a perfume in the air, reflected down even to the body of the seer. That perfume thrills his body with an ecstasy that is like love, like sleep.

And this is the song:

I am the child of all who am the father of all, for from me come forth all things, that I might be. I am the fountain in the snows, and I am the eternal sea. I am the lover, and I am the beloved, and I am the first- fruits of their love. I am the first faint shuddering of the Light, and I am the loom wherein night weaveth her impenetrable veil.

I am the captain of the hosts of eternity; of the swordsmen and the spearmen and the bowmen and the charioteers. I have led the armies of the east against the armies of the west, and the armies of the west against the armies of the east. For I am Peace.

My groves of olive were planted by an harlot, and my horses were bred by a thief. I have trained my vines upon the spears of the Most High, and with my laughter have I slain a thousand men.

With the wine in my cup have I mixed the lightnings, and I have carved my bread with a sharp sword.

With my folly have I undone the wisdom of the Magus, even as with my judgments I have overwhelmed the universe. I have eaten the pomegranate in the House of Wrath, and I have crushed out the blood of my mother between mill-stones to make bread.

There is nothing that I have not trampled beneath my feet. There is nothing that I have not set a garland on my brow. I have wound all things about my waist as a girdle. I have hidden all things in the cave of my heart. I have slain all things because I am Innocence. I have lain with all things because I am Untouched Virginity. I have given birth to all things because I am Death.

Stainless are my lips, for they are redder than the purple of the vine, and of the blood wherewith I am intoxicated. Stainless is my forehead, for it is whiter than the wind and the dew that cooleth it.

I am light, and I am night, and I am that which is beyond them.

I am speech, and I am silence, and I am that which is beyond them.

I am life, and I am death, and I am that which is beyond them.

I am war, and I am peace, and I am that which is beyond them.

I am weakness, and I am strength, and I am that which is beyond them.

Yet by none of these can man reach up to me. Yet by each of them must man reach up to me.

Thou shalt laugh at the folly of the fool. Thou shalt learn the wisdom of the Wise. And thou shalt be initiate in holy things. And thou shalt be learned in the things of love. And thou shalt be mighty in the things of war. And thou shalt be adept in things occult. And thou shalt interpret the oracles. And thou shalt drive all these before thee in thy car, and though by none of these canst thou reach up to me, yet by each of these must thou attain to me. And thou must have the strength of the lion, and the secrecy of the hermit. And thou must turn the wheel of life. And thou must hold the balances of Truth. Thou must pass through the great Waters, a Redeemer. Thou must have the tail of the scorpion, and the poisoned arrows of the Archer, and the dreadful horns of the Goat. And so shalt thou break down the fortress that guardeth the Palace of the King my son. And thou must work by the light of the Star and of the Moon and of the Sun, and by the dreadful light of judgment that is the birth of the Holy Spirit within thee. When these shall have destroyed the universe, then mayest thou enter the palace of the Queen my daughter.

Blessed, blessed, blessed; yea, blessed; thrice and four times blessed is he that hath attained to look upon thy face. For I will hurl thee forth from my presence as a whirling thunderbolt to guard the ways, and whom thou smitest shall be smitten indeed. And whom thou lovest shall be loved indeed. And whether by smiting or by love thou workest, each one shall see my face, a glimmer through a thousand veils. And they shall rise up from love's sleep or death's, and gird themselves with a girdle of snake-skin for wisdom, and they shall wear the white tunic of purity, and the apron of flaming orange for will, and over their shoulders shall they cast the panther's skin of courage. And they shall wear the nemyss of secrecy and the ateph crown of truth. And on their feet shall they put sandals made of the skin of breasts, that they may trample upon all they were, yet also that its toughness shall support them, and protect their feet, as they pass upon the mystical way that lieth through the pylons. And upon their breasts shall be the Rose and Cross of light and life, and in their hands the hermit's staff and lamp. Thus shall they set out upon the never-ending journey, each step of which is an unutterable reward.

Holy, Holy, Holy, Holy; yea, thrice and four times holy art thou, because thou hast attained to look upon my face; not by my favour only, not by thy magick only, may this be won. Yet it is written: "Unto the persevering mortal the blessed Immortals are swift."

Mighty, mighty, mighty, mighty; yea, thrice and four times mighty art thou. He that riseth up against thee shall be thrown down, though thou raise not so much as thy little finger against him. And he that speaketh evil against thee shall be put to shame, though thy lips utter not the littlest syllable against him. And he that thinketh evil concerning thee shall be confounded in his thought, although in thy mind arise not the least thought of him. And they shall be brought unto subjection unto thee, and serve thee, though thou willest it not. And it shall be unto them a grace and a sacrament, and ye shall all sit down together at the supernal banquet, and ye shall feast upon the honey of the gods, and be drunk upon the dew of immortality — FOR I AM HORUS, THE CROWNED AND CONQUERING CHILD, WHOM THOU KNEWEST NOT!

Pass thou on, therefore, O thou Prophet of the Gods, unto the Cubical Altar of the Universe; there shalt thou receive every tribe and kingdom and nation into the mighty Order that reacheth from the frontier fortresses that guard the Uttermost Abyss unto My Throne.

This is the formula of the Aeon, and with that the voice of LIL, that is the Lamp of the Invisible Light, is ended. Amen."

- Aleister Crowley
Track Name: Boner Cop 2: Bio-Force
Just have a couple words to say,
before you go.
If you care to listen,
don't let this game I play,
interrupt your mission to desecrate yourself.

Drink directly from me,
Let thine chalice overflow.
You will fear for death,
I will slay you with my lust.
You will scream with joy,
for a new power sets below.
Defy your, Defiler, and purify,
For ecstasy is nigh.

By the time I crawl around your barrier,
I wont have found a way out through mine.
The Loneliness Engine will run us down in time,
so wrap your mind up in mine.
Track Name: The Loneliness Engine
"In 1971 a small advertisement appeared in the back pages of Scientific American. It read, simply:
Never Be Alone Again.
It has been estimated that some thirty-five people responded to the ad, and another seventeen the following year. However, it cannot be ascertained at this point whether these fifty-two participants comprised the entirety of mail-in replies or merely selected out of a larger pool. In either case, each of the fifty-two respondents received a package approximately six weeks after enclosing twelve dollars in an envelope and sending it to a P.O Box in St. Paul Minnesota. The package contained a simple lightboard, various cables, a 103A modem, and a black button that depressed with a satisfying click. Those given to perusing the advertisements of Scientific American had little trouble connecting the pieces. The lightboard sparkled with an array of small LEDs, in seemingly random formations — the button alone did not seem to have purpose or effect, lying dormant beside the cables. In fifty-two living rooms, puzzled men and women stared at the board, trying to understand the patterns of light. And patterns there were: around 5:00pm, a great number of lights flashed on, so too around 9:00 am. During business hours there was mostly blackness on the board. Late in the night, clusters shone, and in the pre-dawn hours, there were always one or two. Slowly fifty-two souls began to realize that the tiny lights must ignite when other users turned their systems on, that each LED was another person who had seen the St. Paul ad, so was staring intently at the board, who was alone, who was like them. The button presented a mystery — though each one of them experimented with it innumerable times, the lights did not seem to be affected. Through the winter, fifty-two boards glittered in the dark, and fifty-two people watched the other lights, steady, unblinking, silent and anonymous, but somehow comforting.
In St. Paul, Minnesota, Milo Barnes sat at the switchboard of an AT&T public branch exchange. He worked the night shift, connecting jack to jack, watching the lamps light as calls connected, the drone of human conversation in his ears. He was a quiet man, taciturn towards his fellow operators, isolated in his threadbare chair. One of the only black families in his rural hometown, he had never had many friends. His parents had been farmers: onions, greens, root vegetables. Milo had gone to the city after a brief try at college, and found himself enveloped by the warm arms of Ma Bell. He remained introverted and painfully shy, despite being surrounded by a butt of lively talk every night. In the eighteen months that the 103A modems were active, he never mentioned his thoughts to anyone, was never caught taking them from branch offices, moved through the PBX like a ghost.
In March 1972, the lightboards began to blink. It was not a very great logical jump for Barnes’ enthusiasts to recognize Morse code, and it was, after all, a short and simple message, repeated endlessly.
All’s well that ends well yet
Rose-Marie Gascoigne of New Orleans was the first to answer. She had sat with her lightboard for hours each evening, accompanied by two disinterested tabbies. She said later that her heart had “just plain stopped” when the lights began to flicker on and off. “The whole world just held its breath. I could hear the blood rushing in my head. I knew what to do–what the hell else was that damn button for? It just took me a couple of days to work myself up to it. It was like sending a message to God.”
She reached out to the all but forgotten black button, and tried to remember what she knew of Morse.
She was not the last. Danny McKitterick sent his message from Portland just minutes after Rose-Marie, by all accounts, and in the very small hours of a Minnesota dawn, Milo Barnes sat breathless among his jacks and his lamps as one by one they flashed on and off, a slow and tremulous human server in the days before the whole of the world was networked thus, finishing his line, answering his brief, quiet message, lights in the dark:
Though time seem so adverse and means unfit though time seem so adverse and means unfit though time seem so adverse and means unfit
Over and over, again and again. Milo must have smiled–it is a comfort to think of him smiling. While the other operators worked around him, oblivious, he sent out a new message to each machine that had supplied the coded response he sought, and this one was simpler than the others, more direct, and more frightening.
Pick up the phone at midnight.
As the moon came up in St. Paul, Milo Barnes closed his eyes and slotted a silver jack into place. And another, and another. San Francisco to Cheyenne. Phoenix to Charlotte. Seattle to Sacramento.
New Orleans to Portland.
Milo sat among his lamps and wires, his hands taut, and held his breath.
In Louisiana, Rose-Marie Gascoigne held hers, and put her ear to her receiver.
“Hello?” "

- http://invisiblegames.net/
Track Name: Walls
How do I feel?
How do I fall?
We're met with so much opposition.
There's never a correct position.

The walls will close in on us all.
Track Name: Collapse
Take a deep breath,
remind myself I'm here.

You won't last for long down here.
Take a step away from them.

Memory fails me. Everything breaks me.

I feel like I'm getting weak.
Faces around me begin to melt away.
I feel like I can hear you speak,
but its the cuts in your tongue that just talk away.
Reverse relearn, a slit-wrist endeavor,
drawn out from black mirror ramblings.
I know now to never underestimate my own forthcomings.